Roy Lichtenstein: Like New

Roy Lichtenstein’s breakthrough Pop work stunned both the art world and the country when it was first shown in the early 1960s. An appropriation artist long before the term was used by art historians, Lichtenstein took his imagery from comic books and newspapers, reconfiguring and refining his compositions before enlarging and transferring them to canvas. Cool, crisp, and mechanical-looking yet decidedly handmade, his work—executed to mimic the bold black outlines, flat bright colors, and fields of dots associated with commercial printing—upended conventional notions of what an artwork could be. Lichtenstein’s legacy extends far beyond Pop, however. His career-long investigation into image culture has shaped successive generations of artists and changed the way we see and understand images. Born in 1923, Lichtenstein spent most of his life in New York and Southampton, where he sustained a continually evolving practice until his death in 1997 at the age of seventy-three. Titled after a 1962 work, Roy Lichtenstein: Like New features many of the artist’s most iconic paintings alongside lesser-known works and four re-created murals. The first New York retrospective of his work since 1993, it traces Lichtenstein’s fascination with perception across six decades of painting, drawing, sculpture, film, and prints. In an era when pictures are endlessly generated, copied, altered, filtered, and reposted across screens, Lichtenstein’s art is strikingly prescient and remarkably relevant. He understood long before the digital age that images are never stable: they move through the world and return transformed. With each iteration, they are made like new. Roy Lichtenstein: Like New is organized by Meg Onli, Nancy and Fred Poses Curator, and Alex Da Corte, Guest Curator, with Nakai Falcón, Curatorial Assistant, and David Crane, Curatorial Research Associate. Leadership support for Roy Lichtenstein: Like New is provided by the Jerome L. Greene Foundation, Kenneth C. Griffin and Griffin Catalyst, and Susan and John Hess. Susan and John Hess Major corporate support is provided by Principal support is provided by Stephanie March and Dan Benton; Pete and Michelle Scantland; and Caroline and Robert Taubman, on behalf of the A. Alfred Taubman Foundation. Additional corporate support is provided by Major support is provided by Judy Hart Angelo; the Barbara Haskell American Fellows Legacy Fund; Jill and Darius Bikoff; Neil G. Bluhm and Kimberly Paige Bluhm; Jenny Brorsen and Rich DeMartini; Nancy Carrington Crown & A. Steven Crown; Lise and Michael Evans; Meg and Bennett Goodman; The Horace W. Goldsmith Foundation; CJ Jones & Philip Rebeiz, Colour Themes; The KHR McNeely Family Foundation | Kevin, Rosemary, and Hannah Rose McNeely; Sara and Kip Kirkpatrick; Michael A. Klump; Northern Trust; Nancy and Fred Poses; Anne-Cecilie Engell Speyer and Rob Speyer; and the Whitney’s National Committee. Significant support is provided by The Fuhrman Family Foundation, Jackson Tang, and an anonymous donor. Generous support is provided by the AG Foundation, Salvador Espinoza and Jonathan Rozoff, the Keith Haring Exhibition Fund, Thomas & Linda Koehn Foundation, Susan and Larry Marx, Robert E. Meyerhoff and Rheda Becker, Susanne and William E. Pritchard III, Katherine Sachs, and an anonymous donor. Additional support is provided by Barbara and Richard Lane, and Dawn and David Lenhardt. This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities. Leadership support for the catalogue and education and public programs is provided by the Roy Lichtenstein Foundation. Media support for this exhibition is provided by The Guardian. Spanish translation for Roy Lichtenstein: Like New is made possible through the support of Claudia Laviada and Carlos Rohm, and Stephanie March and Dan Benton. BBDO is the official marketing agency partner for Roy Lichtenstein: Like New.